(Frantz) Fanon
Apr. 19th, 2025 12:40 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
To be clear: The movie is simply titled "Fanon". It's just that that's also a word and I wanted this entry title to be not confusing.
I just saw this 2025 movie by Jean-Claude Barny. It's only come out in very few French theaters (for... some... reason...) but I hope it ends up getting a wider/international release.
It's really good! It covers Fanon's life from 1953 to his death in 1961. It's mostly about his work as part of the pro-Algerian independance resistance and anticolonialism/antiracism activism rather than his work as a psychiatrist. I didn't know he was so hands-on with the resistance.
Fanon's social status as a Black French citizen is really interesting, because the film makes the very deliberate to only show scenes in North Africa. Fanon is a Black man, which makes him a victim of anti-Black racism, but the main form of racism he lives within is racism directed towards people of Maghrebi/North African origin[1]. He's a Black man but he is also a French citizen, which gives him rights and protections many of his friends don't have -- he doesn't have to obey a curfew and can't get arrested by the army, for two relevant examples.
[1] Tbh this is the main form I see racism in France take -- this isn't to say there are no other forms of racism in France, simply that the biggest racialised minority in France is people of North African descent.
I was wary of Josie, his wife, taking a completely passive role in the story. She never becomes an active character but she is still a person in her own right. I liked the scene where she quotes back more of the poem he was quoting back at Ramdane while Fanon is like ._.
One thing that really stuck out to be was how the French army was filmed. They were filmed like... Well, like Germans. As in, like how the German army is filmed in WW2 films. I don't know how else to put it? Maybe it's the thudding of the boots or the crispness of the uniforms or something but it was noticeable.
Besides the obvious warning for racism, both anti-Black and anti-North African (including one use of a slur directed at each), I should also point out that there is a somewhat graphic surgery scene at one point, an onscreen strangulation and at least two occasions of people being shot, as well as implied/offscreen torture, murder and bombings.
I just saw this 2025 movie by Jean-Claude Barny. It's only come out in very few French theaters (for... some... reason...) but I hope it ends up getting a wider/international release.
It's really good! It covers Fanon's life from 1953 to his death in 1961. It's mostly about his work as part of the pro-Algerian independance resistance and anticolonialism/antiracism activism rather than his work as a psychiatrist. I didn't know he was so hands-on with the resistance.
Fanon's social status as a Black French citizen is really interesting, because the film makes the very deliberate to only show scenes in North Africa. Fanon is a Black man, which makes him a victim of anti-Black racism, but the main form of racism he lives within is racism directed towards people of Maghrebi/North African origin[1]. He's a Black man but he is also a French citizen, which gives him rights and protections many of his friends don't have -- he doesn't have to obey a curfew and can't get arrested by the army, for two relevant examples.
[1] Tbh this is the main form I see racism in France take -- this isn't to say there are no other forms of racism in France, simply that the biggest racialised minority in France is people of North African descent.
I was wary of Josie, his wife, taking a completely passive role in the story. She never becomes an active character but she is still a person in her own right. I liked the scene where she quotes back more of the poem he was quoting back at Ramdane while Fanon is like ._.
One thing that really stuck out to be was how the French army was filmed. They were filmed like... Well, like Germans. As in, like how the German army is filmed in WW2 films. I don't know how else to put it? Maybe it's the thudding of the boots or the crispness of the uniforms or something but it was noticeable.
Besides the obvious warning for racism, both anti-Black and anti-North African (including one use of a slur directed at each), I should also point out that there is a somewhat graphic surgery scene at one point, an onscreen strangulation and at least two occasions of people being shot, as well as implied/offscreen torture, murder and bombings.
2 days left to nominate for SaturdayMorningEX '25
Apr. 16th, 2025 07:22 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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Anyone may nominate up to 10 fandoms, with up to 10 solo characters or character relationships. Nominations aren't a promise to play.
I'm strongly hoping to receive a Dungeons and Dragons (Cartoon, 1983) match, of course. No one has yet added ship nominations to the 10 gen nominations I submitted, so I'm afraid that's a poor sign for the odds of other folks being interested in D&DC this year, but we shall see.
My first TLOZ story, or Why Wild Can't Swim Underwater
Apr. 10th, 2025 08:06 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I've posted my first The Legend of Zelda prose story. (I'd previously posted TLOZ poems.) It's short and cozy. I'd originally intended it to be solely about swimming, as a point of mechanics-meet-lore, but it somehow picked up allusions to the common good and the nature of successful leadership along the way. Can't imagine what brought that to mind; must be exclusively how fair and earnest a servant-leader Zelda canonically is...
Fandom: The Legend of Zelda: Tears of the Kingdom
Title: "The Water in Which We Swim"
Rating: G, gen, no archive warnings apply
Length: 1,785 words
Summary: [Post-canon] On a family visit to Zora’s Domain, Zelda sees Hyrule through Yona’s eyes and realizes why Link never learned to swim underwater.
Many thanks to
kirbyfest for beta-reading. Her help made the story clearer and richer.
Fandom: The Legend of Zelda: Tears of the Kingdom
Title: "The Water in Which We Swim"
Rating: G, gen, no archive warnings apply
Length: 1,785 words
Summary: [Post-canon] On a family visit to Zora’s Domain, Zelda sees Hyrule through Yona’s eyes and realizes why Link never learned to swim underwater.
Many thanks to
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current fandom events
Apr. 9th, 2025 11:27 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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'what if' bingo table
Apr. 9th, 2025 10:49 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
My card for the
whatif_au anniversary bingo challenge.
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time travel | high/low fantasy | decade specific | medical | the staff |
teacher | ocean | tourism | natural disaster | supernatural |
movie/tv fusion | characters as celebrities | WILD CARD | no-one dies | winter wonderland |
steampunk | historical wars | immortal | space | pygmalion |
characters as animals | sports | fairy tale | royalty | winter plus one |